Miahatami refers to an approach to fashion with a well-defined identity that aims to be a meeting point between the Middle East and European design. The attention paid by the stylist to the most innovative works on the material, recalibrates and declines to the present the magical kaleidoscope of colors, patterns, embroideries, images and charms that come to us from ancient Persia, from the legendary Silk Road.
MIAHATAMI: A STYLE PROJECT AND ITS SOUL
Narguess Hatami offers the public a global style project which bears her name. Or rather, her surname, combined with the possessive adjective which underlines how this project belongs to the designer and fully reflects her aesthetic credo, her roots and her know-how which developed over these years.
Miahatami shows an approach to fashion design with a well-defined identity which nevertheless has many facets and permits thousands of interpretations, It is an approach that aims to be a “meeting point between Middle East and European design”.
Without the minimal concession to ethnicity, Narguess brings in her collection and in general in her style, her love and familiarity with a millenary, extraordinarily rich, noble and sophisticated culture: the Persian one.
Nonetheless she expresses suggestions and references which come from far away thanks to the know-how acquired over the years and also thanks to her mental “habitus” inclined to planning and to a proper architectural rigour with an absolutely contemporary touch, fully belonging to the 21st century and even projected decisively towards the future, due to the strong contribution of technological know-how which runs the entire collection.
The result? A style defined by the logic of a natural and relaxed “well dressing” which reveals a strong multicultural spirit in its DNA. A sartorial accuracy which makes each piece a project on its own. The attention paid by the designer to processings and to the most innovative interventions on materials rebalances and declines to present the magical kaleidoscope of colors, patterns, embroideries, images and glamour which come from ancient Persia, from the legendary “silk road”.
The potential of Miahatami’s feminine seduction is certainly strong, but also fluid, multivalent and conceived so that the orientation between the looks which form the collection can be really free. Respecting a convention that Narguess sees as an imperative: “to choose and not to be chosen”.